Reviews
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"Cohen’s first New York show in 10 years is a timely reminder that his early-’70s photos, with their jarring close-ups and strobe-struck chill, set the stage for much of the street work that followed."
— Vince Alettti, The Village Voice, Sept. 4, 2001
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"Cohen’s expanded vision leaves us with the remnants of our desire for coherence within a given body of work, even one which has already been perceived as 'bizarre.' And it presents us with certain questions about what we expect a photograph to mean and what we perceive as content."
— Carol Squiers, Artforum, March 1978
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"Each picture is an improvised steal; even the posed shots reveal the unexpected."
— Leah Ollman, Los Angeles Times (2009)
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“Grim Street…has become a cult classic among street photographers.”
— James Estrin, The New York Times (2012)